Bara:

La schiava si muove per collocare la faccia giu' sul pavimento, la faccia al pavimento, la testa girata alla sinistra, le gambe allungate con le caviglie incrociate e i polsi incrociati all'indietro

" Bara, Kajira!" lui disse. Lei rotolo' velocemente sul suo stomaco, collocando i suoi polsi dietro lei, incrociati, e incrociando le sue caviglie, pronta ad essere bloccata. The esplorers of Gor pag. 77

"Bara," disse Mincon a Tula. "Bara," dissi a Feiqa. Entrambe le schiave si misero immediatamente sui loro ventri, le loro teste alla sinistra, i loro polsi incrociati indietro , le loro caviglie anche incrociate. E' una posizione comune obbligatoria. Mercenaries of Gor pag. 145


Belly:

La schiava si piega sul suo ventre, passa i palmi delle mani vicino ai lati della testa, la fronte al suolo ed aspetta degli ordini ulteriori

"Stop" Egli disse. "Sul ventre." Quindi ero sul mio ventre, sulle piastrelle, le mie mani ai lati della mia testa, china, prima della sua sedia di curule. Kajira of Gor pag. 42

" Avvicinati sul tuo ventre," ho detto. Lei si appoggio' alla tavola, le mani tuttavia dietro lei. Renegades of Gor pag. 75

"Sul tuo ventre," disse. Lei si piego' sul suo ventre, le mani ai lati della testa. Kajira of Gor pag. 399


Belly Crawl:

Dalla posizione di Ventre, eccetto le mani sui lati, la schiava striscia verso il Padrone. Striscio al mio Padrone sul mio ventre," disse," e chiedo il suo tocco. Io sorrisi. Io, un ospite nella tenda, adesso in piedi davanti a lei, certo, come il suo Padrone. Queste ragazze sono comprese col prezzo dell'alloggio. Beast of Gor pag. 80



Binding, or Standard Binding Position: vedere Lesha>


Bracelets:

In questa posizione di legatura standard la ragazza volta il viso via dal suo Padrone, il dorso e le spalle diritte, i polsi tenuti dietro per facilitare l'apposizione dei braccialetti da schiava

"I braccialetti," Lui ordino' schioccando le dita. Lei volto' la testa altrove e mise le braccia dietro di se'. Hunters of Gor pag. 146

"Prese un paio di braccialetti leggeri, uniti da cinque pollici di catena leggera, dal suo sacchetto. "I braccialetti da schiava," disse. "Girati, faccia alla porta, mani dietro la schiena." Kajira of Gor pag. 132


Capture Position: vedi Supine Capture Position


Crawl:

The slave gets down on all fours, palms to elbows flat against the floor, bottom in the air, forehead close but not quite touching the ground and crawls to within inches of the Master's feet

"I pointed to the stones at my feet. "Crawl," I said, in Gorean. The girl slipped to her belly, and, as a slave girl, crawled to my feet. She put her lips to my foot; I felt her hair over it." Tribesmen of Gor pg. 78

"Go to the couch," I told her," "and curl up there." Yes Master," she said. She then, on her hands and knees, crawled to the foot of the couch." Savages of Gor pg 13


Collaring Position:

Sometimes referred to as the submission/collaring position, binding position, or posture of female submission. In this position the slave kneels at the Master's feet and leans her body back, sitting upon her heels, with her arms extended upward, crossed at the wrists, and her head beneath them lowered in supplication.

"Assume the posture of female submission," I told her. She did so, kneeling back on her heels, her arms extended, wrists crossed, her head between them, down. She was weeping. Tribesmen of Gor pg 359

"She is yours," he said. He took his strap off her throat, and unbound her hands. "Submit," I told her. She knelt before me, back on her heels, arms extended, head down, between her arms, wrists crossed, as though for binding. Explorers of Gor pg. 74


Display Position:

Stands, feet about shoulders width apart, fingers laced behind the neck with elbows back, head up and eyes lowered.

The auctioneer did not strike her with his whip. He merely took her arms and lifted them, so that the position chain, attached to each side of the sales collar lay across her her upper arms. Then he had her clasp her hands behind the back of her neck, so that the chain, on each side of the collar, was in the crook of her arms, and she was exposed in such a way that she could be properly exhibited. Explorers of Gor pg. 36

A slave girl whose primary purpose is for the display of her beauty to reflect the affluence of her master; often chained in cuffed with other display slaves behind the palanquin or other transport of her master. Dancer of Gor pg. 367



Gorean (Love) Bow:

kneels in nadu position, she bends her body backwards, her head to the floor, she places her hands by her head, and pulls up into a back bend. (this position is very painful to maintain for longer than 5 min)

"Under the torchlight Phyllis Robertson was now on her knees, the Warrior at her side, holding her behind the small of the back. Her head went farther back, as her hands moved on the arms of the Warrior, as though once to press him away, and then again to draw him closer, and her head then touched the furs, her body a cruel, helpless bow in his hands, and then, her head down, it seemed she struggled and her body straightened itself until she lay, save for her head and heels, on his hands clasped behind her back, her arms extended over her head to the fur behind her. At this point, with a clash of cymbals, both dancers remained immobile." Assassin of Gor pg. 187

Over her iron collar she wore a heavy leather Kur collar, high, heavily sewn, with its large ring. He thrust her two wrists, before her body, into the ring he had cut from the Kur. He then tied them inside, and to, the ring. He then, from his belt, took a long length of binding fiber and, doubling it, looped it, securing it at its center to the ring, leaving two long ends. He then threw her, on her back, over the body, head down, of the fallen Kur. He took the two loose ends of the binding fiber and, taking them under the body of the fallen Kur, dragged her wrists, elbows bent, over and above her head; he then, bending her knees, tied one of the loose ends about her left ankle, and the other about her right. It was the Gorean love bow. He then, regarding her, cut the Kur collar from her throat with the ship's knife. He threw it aside. She now wore only one collar, his. She closed her eyes. She moved, lying across it, on the body of the Kur. It was still warm. "It is we who are victorious," said he. She opened her eyes. "It is you who are victorious, Master," she said. Already her hips were moving. "I am only a slave girl," she wept. With a roaring laugh he fell upon her. Marauders of Gor pg 261


Hair:

The girl stands and bows at the waist, letting her hair fall forward for display, to be seized or for any other purpose the Master might require. Another varient of this position sometime used is for the slave to stay in her previous position just bowing her head and letting her hair dangle before her for whatever use required.

I held my left hand open, at my waist. She stiffened, and looked at me, angrily. I opened and closed my left hand once. I saw her training in Gorean customs had been thorough. But she never thought that such a gesture would be used to her. She came beside me, and a bit behind me, and, crouching, put her head down, deeply. I fastened my hand in her hair. She winced. Women are helpless in this position. Beasts of Gor pg. 409


Heel:

The slave goes to the Master's left if He is right handed, right if left handed and about one and a half paces behind Him. She follows His movements from that point.

' "May I not follow my Jarl?" she begged. "A lowly bond-maid begs to heel her Jarl.""Then, heel," said Ivar, good-naturedly, turning away,"Thank you, my Jarl!" she wept, leaping to her feet, falling into step on his left, two steps behind him. ' Marauders of Gor pg 123

"The Forkbeard turned about and, one arm about Pudding, the other about Gunnhild, started from the dock. Hilda followed him, to his left. 'She heels nicely,' said Ottar. The men and bond-maids laughed. The Forkbeard stopped. Hilda's face burned red with fury, but she kept her head high. Pet sleen are taught to heel; so, too, sometimes, are bond-maids; I was familiar with this sort of thing, of course; in the south it was quite common for slave girls; in various fashions in various cities, to heel their masters. Hilda, of course, was a free woman. For her to heel was an incredible humiliation. The Forkbeard started off again, and then again stopped. Again, Hilda followed him as before. 'She is heeling!' laughed Ottar." Marauders of Gor pg 123

"These things vary, I learned from city to city, and depend, also, on such matters as context and conditions. In a market, in the crowding and jostling for instance, a girl may follow so closely she pressed against the back of his left shoulder. Girls seldom follow behind and on the right. If she is thusly placed it is commonly a sign she is in disfavor. If more than one girl is involved, she who follows most closely on the left is generally taken to be in highest favor; girls compete for this position. In an open area, such as the fields in which we trekked, the girl is placed some five or ten feet behind, and on the left. If he must move suddenly she will not, thusly, constitute an impediment to his action. Slave Girl of Gor pg 30

"He turned about and, with his weapons, strode from the camp. I followed him, at his heel, where a slave girl belongs." Slave Girl of Gor pg 109

"The girl normally heels a right-handed Master on the left, that she not encumber the movements of the weapon hand." Magicians of Gor pg 117


High-Harness:

A position in which a kneeling, braceleted slave is displayed by her Master for the perusal of others. A leash or lead is attached to her collar and raised until her head carriage is very high, her chin thrust forward, her neck stretched straight upward from her shoulders. Sometimes a Master will command a girl to assume this position even when she has not been leashed and braceleted, for his viewing pleasure. An excellent position whereby a slave's mouth can be forced open for feeding, or to have her teeth checked.

"Lift your head, " he said. "Higher. Higher!" She looked up at him, her head far back, the leash on her throat.... "You need not now keep your head in high-harness position,", he said to the girl. She moved her head. Mercenaries of Gor pg 308-309


Kneel to the Coffle:

Kneels, normally thighs parted, up upon the heels and lifts either the left or right wrist outwards, depending on the type of coffle, so that the wrist can be attached to a wrist ring within the coffle chain.

"Kneel to be coffled," said one of the men. The girls knelt, closely, one behind the other, there were six wrist rings on the chain he carried. He placed the girl who had been whipped by Lady Sabina first in the coffle line. "Left wrist coffle," he said. They lifted their left wrists, frightened. Interestingly, the man snapping the wrist rings on the girls' left wrists did not put the first girl in the first ring, but the second. When the four maids were coffled there was, thus, an empty wrist ring both at the head and rear of the line. "Stand, Slaves," said the man. "Lower chain." The girls stood. Then, ordered, the lowered their wrists. They were then in line, standing, coffled. Slave Gor of Gor pg. 127


Kneeling to the Whip: vedi Whipping Position


Leading:

The slave stands and moves behind her Master,slightly to His left or right side depending on which of His hands is dominant,bending at the waist. She places her hands behind her and puts the side of her head to her Master's hip, that he might lead her easily by the hair while walking. Alternately the Master may simply drop his hand to his hip (usually his left hand to his left hip) and open and close it, signalling non-verbally that he wishes the slave to place her hair within his hand, at his disposal, for leading.

In a moment I had left the building, pulling the captive behind me, her head down at my waist, in leading position. Mercenaries of Gor pg. 399-400

"`Leading position,' he said. Sobbing, she rose to her feet, and put her head down, at what would be the height of a man's waist, her legs flexed. A guard walked over and fastened his hand in her hair. `Have her whipped,' said Policrates. `Yes, Captain,' said the man. He then left the chamber, pulling the girl, sobbing, at his side." Rogue of Gor pg. 248

"I held my left hand open, at my waist. She stiffened, and looked at me, angrily. I opened and closed my left hand once. I saw her training in Gorean customs had been thorough. But she never thought that such a gesture would be used to her. She came beside me, and a bit behind me, and, crouching, put her head down, deeply. I fastened my hand in her hair." Beasts of Gor pg. 409

"Leading position," said Drusus Rencius I put my head down to his waist and he fastened his left hand in my hair" Kajira of Gor pg. 134


Lesha (Standard Binding Position):

From the Schendese(?) word Lesha, which possibly translates as "leash" or "bonds." In this position, the slave remains either standing or kneeling, depending upon the current position she is in. She turns and puts her back to her Master, her chin up, her head turned to the left so a leash may be attached to her collar, with her back and shoulders straight. Her wrists are extended behind her, side by side, in a position to be locked into chained slave bracelets. If she is already prone, the slave crosses her wrists behind her back, and also crosses her ankles, in preparation to be tied or chained.

"Lesha," snapped the second officer to the blond girl. She spun from facing him, and lifted her chin, turning her head to the left, placing her wrists behind her, as though for snapping them into slave bracelets. Explorers of Gor pg 76

"Lesha," he said. Immediately, responsive to this command, I flung my writs behind me, separated by some two inches, and lifted my chin, my head gurned to the left. I felt slave braclets flung, snapping shut, on my wrists. I was braceleted. In another moment I was leashed. "Precede me," said the guard. I went before him. Dancer of Gor pg. 365

"Some girls beg to be leashed, sometimes crawling to their Masters, their leash held between their small, fine teeth. Most Masters use the leash at one time or another. A Gorean saying has it that a leashed slave is a hot slave. Fighting Slave of Gor pg. 366


Nadu (also known as Pleasure Slave Position):

The first and most often used of all of the Gorean slave positions, and one of the first ones a slave learns. The command is often called "Nadu," from what seems to be a common Gorean word for "kneel." In this position the slave kneels and sits upon her heels with her back and shoulders straight, her chest out, belly in, and her head up, though she averts her eyes to the floor. Her thighs are open, widely spread, and her hands rest upon her thighs. A common misconception of this position is that the ankles are crossed. Occasionally the wrists are crossed behind the back, a variation which seems to be practiced in several cities, notably the city of Thentis. There is a nonverbal command signal associated with this position: to signal that the slave should assume the position, the Master may simply point to the floor and then, with his first two fingers extended and his hand palm-downward, spread his first two fingers open (the index and pointer fingers) as if they were the slave's "legs" opening to kneel. The slave is expected to respond to this gesture as they would to the spoken command.

"Come now, my pretty slaves,' said Ginger, 'kneel straight. Back straight, heads up. Back on your heels there! Spread those pretty knees. Yes, that is the way men like it. Put your hands, palms down, on your thighs. Good. good. Excellent!' The girls now knelt in the coffle as pleasure slaves." Savages of Gor pg 155

'Nadu!' he snapped. She swiftly turned, facing him, and dropped to her knees. She knelt back on her heels, her back straight, her hands on her thighs, her head up, her knees wide. It was the position of the pleasure slave. Explorers of Gor pg 77

"It is customary in the kneeling position to remain a few feet back from the male. The kneeling position, itself, expresses the servitude of the slave, and her submission. The distance serves three major purposes. It symbolizes, in the distance, as well as in the differential height, the social inferiority of the slave to the master. It puts the slave in a position, where all of her, for the Master's delight, can be seen. A kneeling woman is incredibly beautiful. It also puts enough space between the slave and the free male so that the releasing of his rapacity is then likely to require a decision, and is less likely to be simply, reflexively, triggered. This is regarded as being particularly important when the slave is in the presence of a male who is not her Master. The kneeling position, thus, interestingly, can occasionally provide a measure of security, if not a tenuous one, for the slave, tending to reduce, to some extent, the frequency in which, in a culture with such interpersonal proximities, she might be subjected to unauthorized rape. This same tiny measure of protection, of course, puts her in much greater danger from her real Master, for he, observing her, seeing her kneeling beautifully before him, can also delay in his considerations as to her suitable exploitations." Dancer of Gor pg. 156

A girl, incidentally, in the position of the Gorean pleasure slave, but who is not being kept in the position as a discipline, in which case she remains rigid, is allowed much subtle latitude, which she exploits, without breaking the position. Sometimes, as she becomes animated, she rises a bit from her heels, sometimes her hands move on her thighs, her shoulders and belly move, her head moves, her eyes are live and vital, she speaks and laughs, and, radiantly, every inch, every bit, of her alive, converses lyrically and delightedly. Any girl knows that an interesting body is a moving body. Even within the apparent restraint of the position of the pleasure slave a girl’s body can be a subtle, provocative melody of motion. The interplay between the restraint of the position and her animation gives the position incredible power and beauty. Slave Girl

Nadu Note: In the position of nadu, a slaves hands show her desire towards the One she kneels before.. many seem to think that it is always knelt in palms up.. that isnt the case, a girl would turn her palms up to Him showing that she desired to please in any way.

"Position!" I snapped. Swiftly she knelt again, as she had been commanded earlier. "You obey with the alacrity of a slave girl," I observed. "If I do not," she said, "I could be punished as one, could I not?" "Yes," I said, "and would be." I walked about her, examining her, She kept her back very straight, and her head up. I was then again before her. I noted that the palm of her hands, so soft, so vulnerable, had turned on her thighs, so that they faced up. Among slave girls this is a common ways of signaling need, helplessness, a desire to please. Vagabonds of Gor pg. 209


Nestle:

When a slave is told to nestle she fits herself against the Master's side, snuggling into the crook of His arm.

"Nestle," I told her. "Yes, Master," she said. She nestled obediently in the crook of my left arm. Explorer's of Gor pg 279


Obeisance:

There are a few different forms of this position though all have the same basic meaning behind it. Each is a show of female submission. Here are three: 1) the slave kneels in nadu with her head lowered. 2) from nadu, the slave lowers head to the ground, placing her hands against the ground, palms lowered. (this is sometimes refered to as karta) 3) the slave moves to her belly and slowly inches forward to the Master's feet and at that point proceeds to lick and kiss at them before bellying back somewhat. (this position is known among many as the "belly" position)

"There are many ways to perform obeisance. "I said." "I am a free woman," she said, " I know none of them." "I shall instruct you briefly in three," I said. "First kneel before me , back on your heels, yes, with your knees wide, wider, your hands on your thighs, your back straight, your breasts out, good, your belly in, good, and now lower your head in deference, in submission."

"Now that," I said, " may not be exactly a form of obeisance, for authorities do not all agree, but for our purposes we shall count it as one. It is, at any rate, a beautiful position, and it is, certainly, a common position of slave submission." "Now" I said, "and this is clearly a form of obeisance, bend forward and put your head to the mat, the palms of your hands on the mat. Good. Now lift your head little and come forward, substantially keeping the position. Forward a little more." "But then my face will be at your feet," she said," My lips will be over them!" "Yes," I said, "Good, now, put your head down and lick and kiss my feet." "I am a free Woman!" She said. "You are a woman," I said, "now softly, lingeringly, and lovingly, Good." "I am not a slave," she said "All women are slaves," I said " Imagine what this would be like if you were truly a collared slave." She gasped. "Now" I said, "for a third form of obeisance. You may belly to me." "I do not understand," she whispered. "There are various forms of bellying," I said, and bellying may be suitably and pleasingly combined with other forms of floor movements, approaching the Master on all fours, turning to your sides and back, writhing before him, and so on. We will take a very simple variation, suitable for an ignorant free female who has not yet even begun to discover the depths of her sexuality." She looked up at me. "On your belly," I said. She backed off a bit , and went to her belly. Her hair was before her face, as she now on her belly before me looked up at me. "Now inch forward," I said, "remaining low on your belly, and when you reach my feet, once again, as before, lifting your head a little, tenderly and humbly, and beautifully, as though you were a slave, lick and kiss them. Good. Good. Now take my foot and place it gently on your head. Very good. Now place it again on the mat, and kiss it again. Good. You may now belly back a little, humbly. I have not yet given you permission to rise of course." Mercenaries of Gor pg 409-410

"Heads to the dirt!" called a man. "Swiftly we assumed a common form of slave obeisance, kneeling, the palms of our hands on the ground, our heads to the ground. Many Masters, though it tends to be rather associated usually with given cities, require this position of their girls, usually when they first enter his presence or find themselves, as in a room which he has entered, in his presence." She is then, usually, when given permission, permitted to lift her head, but is to remain kneeling before him, beautifully, in a standard position, her knees closed if she is a house or tower slave, her knees open, if she was the sort of slave I was, whatever sort of slave that was supposed to be. Dancer of Gor pg. 114

"You are naked before men," whispered Tupita. "Obeisance!" I quickly knelt before the men and put my head to the floor, the palms of my hands, too, on the floor. I heard several of the beads touch the wood. ' Dancer of Gor pg 186

At his entrance Susan put the palms of her hands on the floor and lowered her head to the tiles, assuming a position of slave obeisance common with her in the presence of her master. Kajira of Gor pg. 157


Prostrate (Karta):

kneel, thighs parted and touch forehead to the floor, stretch arms out before you with palms face down and fingers spread.

I knelt before the guest, putting the palms of my hands on the floor and my head to the tiles. Kajira of Gor pg 305


She-Sleen:

moves to knees and elbows, hands clasped over your head, bottom in the air, ready for either being beaten on the bottom or being taken from behind like an animal.

He knelt me there. "Put your head down, to the floor," he said. "Clasp your hands, firmly, behind the back of your neck." "Yes, Master," I moaned. He was then behind me. He put his hands, under my arms, on my breasts, sweetly and firmly. Then he moved his bands back, caressing my flanks. My head was down. My fingers were together, behind the back of my neck. I was in his collar. It was steel, I could not remove it. I belonged to him. My body hurt, from his whip, that of my master. My head hurt, from my hair, where I had been conducted, unceremoniously, to this location. "Please, Master," I sobbed. "Not like this! Not you, please!" "The slave is pretty," he remarked. "Oh!" I cried. "Oh!" "You have a lovely ass," he said. "Ohhh!" I said. "You may thank me," he said. Kajira of Gor pg. 434

"A naked slave in sleen collar, was ordered forth on her hands and knees. A sleen leash was attached to her collar and she was marched, as a she-sleen, crawling, abused, to the rape-rack in which I had been earlier confined." Slave Girl of Gor pg. 238


Slaver's Caress or Whip Caress:

to the floor on all fours, cheek pressed to the ground, bottom high in the air, thighs widely spread, slaves heat exposed.

Then, before I could realize what he intended, he had subjected Miss Cardwell to what, among slavers, is known as the Whip Caress. Ideally it is done, as Kamchak had, unexpectedly, taking the girl unawares. Elizabeth suddenly cried out throwing her head to one side. I observed to my amazement the sudden, involuntary, uncontrollable response to the touch. The Whip Caress is commonly used among Slavers to force a girl to betray herself. Nomads of Gor pg 168

Her movements were wooden. The crowd was not pleased. There was only a two gold piece bid. Then taking the whip from the whip slave the auctioneer stepped to the disconsolate girl; suddenly, without warning, he administered to her the Slaver's caress, the whip caress, and her response was utterly, uncontrollably, wild, helpless. She regarded him in horror. The crowd howled with delight." Assassin of Gor pg 294


Stand:

shoulders back, with feet slightly parted, the left foot somewhat forward of the right with a slight flex in the knee and the feet angled out a bit, hips canted slightly, right hand rests palm in on the hip, left hand resting with the palm against the upper thigh, This is a seductive pose.

"He looked me over. I blushed, under Gorean appraisal, I only wore my tether. "Stand as a slave, " he said. I stood beautifully, back straight, head high, belly sucked in, hip turned. No woman can stand more beautifully than as a Gorean slave girl. "Excellant," said Ladletender, smaking his lips. "Master is pleased," I said. "Yes," he said. "The slave too, is also then pleased," I said. Slave Girl of Gor pg. 249


Standard Binding Position:

When ordered into standard binding position the girl lays on the ground, wrists crossed behind the back and ankles crossed. (this is most likely another name for bara)

"Standard binding position," he said. I was prone. When a girl is prone, the standard binding position is to cross the wrists behind the back and to cross the ankles. I took this position instantaneously. Slave Girl of Gor pg 125


Submission:

kneels, bends at the waist, places cheek to the floor, takes the Master's right foot and places it upon her neck, places arms behind back, crossing them at the wrist.

"Then, to my astonishment, the daughter of the Ubar Marlenus, daughter of the Ubar of Ar, knelt before me, a simple warrior of Ko-ro-ba, and lowered her head, lifting and extending her arms, wrists crossed. It was... the submission of the captive female. Without raising her eyes from the ground, the daughter of the Ubar said in a clear, distinct voice: `I submit myself.' ...I was speechless for a moment, but then, remembering that harsh Gorean custom required me either to accept the submission or slay the captive, I took her wrists in my hands and said, `I accept your submission.'" Tarnsman of Gor pg 93-94

"She winced, her back bent painfully. "Do you wish me to submit to you now?" She begged. "Do so," said he. She fell to her knees before him, and lifted her head to regard him. "I will be your slave," she said. Then she knelt back on her heels, lowered her head and lifted and extended her arms, wrists crossed, as though for binding. She was very beautiful. "I am your slave," she said, "--Master." Hunters of Gor pg. 16

"Assume the posture of female submission," I told her. She did so, kneeling back on her heels, her arms extended, wrists crossed, her head between them, down. She was weeping." Tribesmen of Gor pg 359

"She is yours," he said. He took his strap off her throat, and unbound her hands. "Submit," I told her. She knelt before me, back on her heels, arms extended, head down, between her arms, wrists crossed, as though for binding. "I submit to you, Master," she said. I tied her hands together; she then lowered her bound wrists; I pulled up her head. I held "Can you read?" I asked her. "No, Master," she said. "It says ," I said, "'I am the girl of Tarl of Teletus.'" I then collared her." Explorers of Gor pg 74


Sula or Prone:

lay on back on the floor, spread feet shoulder-width apart, and rest arms with palms up at sides, awaiting His pleasure.

"Sula, Kajira!" said the man. She slid her legs from under her and lay on her back, her hands at her sides, palms up, legs open. Explorers of Gor pg. 77


Sula-Ki:

This is not an actual position. Below is a portion of the books often referred to as "sula-ki" online.

lays on back on the floor feet to the floor, hands at sides palms open and up, legs are spread widely apart, readyfor sex or bondage or control lift hips off the floor slowly to entice usage

"She lay on her back, her knees drawn up, before me. She arched her back. Her breasts were lifted beautifully. I observed their lovely rise and fall, correlated with the respiratory cycle of her small lungs. Then she lay back, her shoulders in the dirt, and pressing against the earth with her small feet, piteously lifted before me, for my examination, and seizure, if I pleased, the deep belly of her, the sweet cradle of her slave's heat. Explorers of Gor pg. 329


Supine Capture Position:

The slave lays down upon her back, bending her knees to place her feet flat against the ground, hands at her side and remains motionless.

"On your back," he said, "knees raised, heels on the floor." I then lay before him, in a standard, supine capture position. Kajira of Gor pg 422


Tower Kneel(Nadu):

There is another variation of Nadu in which the slave kneels the same way, but with her knees modestly together. This variation is referred to as Tower Slave Position and is typically reserved for underage or white-silk slavegirls, or slavegirls who serve their Master in a non-sexual way, such as a Tower Slave or female Work Slave. When at rest, the slaves hands can be modestly crossed at the wrist, and lay in her lap.

The position of the Tower Slave, in which Vika knelt, differs from that of a free woman only in the position of the wrists which are held before her and, when not occupied, crossed as though for binding...The position of the Pleasure Slave, incidentally, differs from the position of both the free woman and the Tower Slave. The hands of a Pleasure Slave normally rest on her thighs but, in some cities, for example, Thentis, I believe, they are crossed behind her. More significantly, for the free woman's hands may also rest on her thighs, there is a difference in the placement of the knees. In all these kneeling positions, incidentally, even that of the Pleasure Slave, the Gorean woman carries herself well; her back is straight and her chin is high. She tends to be vital and beautiful to look upon." Priest Kings of Gor pg. 46-47


Whipping Position:

quickly drops to knees, and place forehead to the floor, hips raised high, cross arms across belly fingers gripping your sides. Another variation is to kneel in nadu, back towards the Master, cross your arms in front of you, across your chest.. lean forward, taking care to keep your hair from your back.

I went to Targo, trembling, and knelt at his feet... I crossed my wrists beneath me and touched my head to the floor, exposing the bow of my back. It is the submissive posture of a slave girl who is to be punished. It is called Kneeling to the Whip." Captive of Gor pg 200

"Elizabeth, trembling, lowered her head to the floor and crossed her wrists beneath her, kneeling, as it is said, to the whip." Assassin of Gor pg. 46

"`Kneel to the whip, Melpomene!' she ordered her. Melpomene then, sobbing, knelt, her legs close together, her wrists held crossed under her, as though bound, her head down, touching the floor, the bow of her back exposed, a slave girl awaiting punishment." Fighting Slave of Gor pg. 284